Colin Foote Burch is a lecturer in English at Coastal Carolina University, where he teaches composition and creative writing. He earned his MFA in Creative Writing from Queens University in Charlotte and his BA in English from N.C. State University. He writes a regular column on beer for the Weekly Surge in Myrtle Beach, SC, and he edits LiturgicalCredo.com, an online literary journal devoted to doubt, speculation, faith, and wonder.
Winter Night at River View Farm near Avenue, Maryland
The embers of Orion
might die in this darkness.
Cold gusts shake
a vine dying
short of climbing
the top inches of a dead tree,
anxiously clicking and ticking
through windy assaults.
Flemish brick chimneys
and apple trees
on the flat grass yards
make their stands beside cornfields
under the sky's
cascading black over black,
drawing down the frigidness
of outer space.
In ominous air,
we turn toward
the old farmhouse,
its frame bracing
to open its door
and hold us again.
Idol
You are my
Anthropomorphic deity
And tonight you will
Shout to him from your bubbling tub,
Bite on him from your countertop,
Scratch through him from your pillow’s slip.
I cannot possess you tonight
But I will find your secret altars
And with worship and supplication
I soon will be fully possessed.
Chapped Lips in Orlando
(Memories re-imagined)
We’re driving back to Venice
With chapped lips from Orlando
Where Epcot froze us
Now heat pots glow in orchards
And frigid night chills the windows
Of our station wagon.
At ten thin years old, I cannot hope for better
Than shuddering through an educational theme park.
So my eyes rise above the orange groves,
Between the stars, to interstellar darkness.
P. Michael Campbell has published poems. Lots of them. Really.
"No Erotica Please" (The Still Unfinished 2012 New Year's Version)
“So what are four lesbians from the early 20th century doing on St. Bart’s...now, when there’s a nuclear war, like why are they there?” a lawyer asked Mr. Prince, who responded: “Your guess is as good as mine. That’s what I do, I make things up.”
-- New York Times, 1/1/2012 (http://nyti.ms/u1izvS)
"I am accepting short fiction and non-fiction as well as poetry.
Simultaneous submissions accepted. No erotica please..."
--Kathy Hein (for circumambulations@hotmail.com)
1. "No Erotica Please"
Story of my life.
As the joke goes.
A Run-On Sentence
Ran into a bar, etc.
-
From this morning's New York Times: "In March a federal district court judge in Manhattan ruled that Mr. Prince — whose career was built on appropriating imagery created by others — broke the law by taking photographs from a book about Rastafarians and using them without permission to create the collages and a series of paintings based on them, which quickly sold for serious money even by today’s gilded art-world standards: almost $2.5 million for one of the works."
-
"Dad, what does interp-
Retation mean?" "Son,"
I say, with no intention
Of muddling matters, "A
Modernist walked into
A wall. (Et cetera.)"
-
A Post Modernist and
A humor theorist walked
Into a poem. Et cetera.
And, that night, after
Several mixed drinks and
Some close dancing...
-
"Evolutionary Psychology,
Part One: The Science
Of Human Nature. Lecture
Two: Investigating the
Unmentionable." Sex
And such from an academic
Perspective. (Just a lecture,
You see, that I listen to
On my drive to school,
One that I checked
Out from Chapin Library,
Along with a book
On hillbilly music in
California and two DVDs.)
2. "That's What I Do. I Make Things Up"
Do you prefer the gothic
Or the plain style? Donne
Or Jonson? Stevens or Pound?
Early or later Beatles?
-
Joke of my life,
As the story goes.
-
"The Adaptive Mind"
Danced into a bar
Naked (of course) and
Put its clothes on.
3. The New Year's Rewrite
It's New Year's Day
2-0-1-2, as I sit down-
Stairs typing quietly,
While the family sleeps.
A quiet morning, except
It is almost afternoon
And someone is almost
Certain to wake up.
Kathy, is it too late to send along my poem called "No Erotica Please"?
Not at all. You have until Jan. 1st.
-
"And indeed there will be
Time...for a hundred
Indecisions, / And for
A hundred visions and
Revisions." (The women
On the TV set / Talk
Of T.S. Eliot.) etc.
"End of Disc Two."
-
Three guys walk into
A bar, except the
County is "dry," and
The guy is me, and
I am by myself. Drum
Roll. "Son, agency is
A necessary illusion"
Et cetera. Et cetera.
4. "Four Lesbians From the Early 20th Century"
Actual joke: A guy walks
Into a bar, sits at the bar,
Orders two drinks, drinks
One and pours the other
On his hand. Rinse and
Repeat. Finally, the bar-
Tender asks him, "Buddy,
Why do keep ordering
Drinks and pouring them
On your hand?" Oh,
You've heard this one
Before. Sorry...
5. We Have Only Each Other, Or Not
Polonius walks into a parody
(As if one was not enough?)
And commences his lecture
On supply side tragedy.
"Agency," he says, "is an allusion."
And, stopping for effect,
Stares out at those who stare
Back, and those that crowd
The corners of the hall, hanging
On his every word. " (Young
Hamlet sits in the back texting.)
"To thine ownself be true."
-
Sir, I would recommend the
Hair of the dog, this morning
That is almost afternoon,
This day that is already almost
Over, that is not all that different
From every other day of the year.
-
The Times again: "About as close as they get to pinning him down is that he wanted to use the borrowed pictures to explore his fascination with the painting of Willem de Kooning and also thought of his collages and paintings as part of an idea for a movie about a post-apocalyptic world in which Rastafarians, famous literary lesbians and others commandeer hotels on St. Bart’s."
-
Sit down. Relax. Have
Another White Russian.
And another. This one against
The darkness, and this one
Against the light, this one
For the year that's over,
And this one, I pray, for
The years to come.
“So what are four lesbians from the early 20th century doing on St. Bart’s...now, when there’s a nuclear war, like why are they there?” a lawyer asked Mr. Prince, who responded: “Your guess is as good as mine. That’s what I do, I make things up.”
Jason W. Johnson works as a Teaching Associate at Coastal Carolina University and has recently received his Ph.D from The University of Mississippi. His works are slated for publication from VOX Press Inc. in 2012.
Oxygen’s Mythologies
For Al Benthall
Fog-studded with oxygen’s mythologies,
The nude descends through camphor-moted domes,
Legs spread in spiked labor. Fragments reclaim
The blood-tree’s lineage of axel grease
And choired stubble-shadowed minnow-mud.
Trophied roads bend twilight’s trumpet bell
To cindered drumskins and toe-tagged virgins,
Mazed and chakraed in a house of fendered
Oak light.
Brown-edged idol, slippage of cranks
And sheepskin afterglow. The mummied larynx
Revenges the infant’s battery acid track-
Marked, cortexed pendulum. The blade-sweet stain
Sculpts the trough-lit nebula, redeemed
By silicon prophets muraled with landslide visions
And scripture’s pockmarked railroad promises.
Hymns from Purgatory
Hymn no. 2
for Butch Varnadore
A shortcut
through the windmill—
diced
newsprint and foam-encrusted
effigies
are all we have left
of the crystal idiom
where the slags on Lamp
St. shell out a moist
bloom to any wrecked
spectrum who happens by.
Speak up
or the angels won’t
sweep
the gash from your
bones—
version that you
are of the boughs
the music
turned to thunder.
Hermits will always
be
with us like the pyramids
our lineage
balanced
on points of scudded
glass.
Nets are our element,
scars
distilled to steam,
bracketed
by engined sulfur:
facsimiles
of nowhere.
The Vortex Upends
for Dani Clay
The vortex upends
drenched suits and department
store oubliettes.
Temple prostitutes—
their nipples reined in, purple
blossoms licking clean their lipped grin—
sanctify car lots with cutglass ambrosia.
Slackjawed beat cops are
blacklit under green tents
of salvia divinorum.
Our crystalline savior sours
after the springboard breaks.
Amniotic Sphinx
for Forest Johnson
Amniotic sphinx,
your retina-ed effigy
gores chlorine, sun-spotted
stretchers
and the litany fells the fly’s
radiating blade.
These crumbs, my withered boughs,
taste the aneurism’s gas-cragged prairie—
a coiled ruin,
a bedstand—umbrellaed
by glazed nerves.
Pig-iron quicksilvers
the circuitboard fog—
salving the cauterized crib-wound.